Beyond Boundaries: Feminine FormsMain MenuBeyond Boundaries: Feminine FormsCuratorsSelect Works at PAFAPAFA Installation ImagesSelect Works at BMCBMC Installation ImagesProgrammingRelated ExhibitionsExhibition CatalogueMechella Yezernitskayaa79f660f1df80423beef6cbdfc74777f391c9c88Laurel McLaughlin7aaa77c13c8bd618817d93f2bac4722f1fb908fd
2006.1.191.jpg
12017-11-02T17:23:46+00:00Alicia Peaker14f621fb2a70d659e17b3d56249cbca7a6c17f08761Trudy Kraft, Night Letter, 1992. Watercolor, sumi, gouache and resist on paper, 12 1/2 x 9 3/4 in. Bryn Mawr College, The William and Uytendale Scott Memorial Study Collection of Works by Women Artists, gift of Bill Scott, 2006.1.1912017-11-02T17:23:46+00:00Alicia Peaker14f621fb2a70d659e17b3d56249cbca7a6c17f08
This page is referenced by:
12017-11-08T02:00:56+00:00Select Works at BMC13gallery2018-05-04T14:31:12+00:00
12017-11-06T22:35:31+00:00(w)riting5gallery2017-11-10T14:56:40+00:00 Language, in the psychoanalytic theory of Jacques Lacan (1901—1981), operates in the “name of the father” to define the possibilities for human behavior and desire. In the 1980s, many artists and collectives associated with feminism challenged this idea by exploring how text might function outside of a patriarchal context. The artists in this constellation use writing to call attention to inequities, instincts, desires, and vulnerabilities that exceed the paternal function of language.